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Street Photography

Great Advice Pays Off

Sleeping on a warm vent at King & Bay, Toronto

Capturing a moment of cognitive dissonance is like shooting fish in a barrel. A lot of times, I barely notice how one element of a photograph is at odds with another element. In this instance, I noticed a man lying on a vent in the heart of Toronto’s financial district and thought I should capture the moment as part of an ongoing effort to document the obvious rise of homelessness during the pandemic. It wasn’t until I got home that I noticed the sign overhead: Great advice pays off. There is an obvious incongruity between the tagline of a financial institution and a man with no more security than the coat over his head.

We used to call this sort of thing cognitive dissonance, but I don’t think the world has much use for that term anymore. The idea of cognitive dissonance used to be that we could throw competing values into the same space to produced a radical clash. This was a strategy that critics could deploy to expose a lie. Now, there are a lot of disillusioned critics wringing their hands and wondering why bother when we live in a post-truth world. Never has this been so evident than in the age of Trumpism which has ushered in a celebration of alternative facts, narratives unhinged from referents in the real world, and a willingness to stare lies squarely in the face and adopt them as truths.

Trump didn’t invent any of this, of course. He merely honed it into an art. Before him, there was Bernie Madoff who sold Ponzi schemes as legitimate financial practices, and George W. Bush who continued to rationalize a war with a lie even after the lie had been exposed, and before Bush there was Thatcher who insisted that the deregulation of financial markets would make life better for working class men and women even as misery spread all around her.

We don’t even wink anymore. We don’t even worry that a revelation will ruin our career. We’ve grown so inured to the lies that we face them straight on and continue on our way, as I did when I saw this lie and set up the shot without even thinking about it.

Categories
Street Photography

Industrial Window

Window at the E & N Roundhouse, West Victoria, B.C.

There is a gap in my photography between what I think I’m shooting and the image I actually take home with me.

In this case, I thought I was shooting an image of a window in an abandoned industrial space. I liked the brick, the variegated panes of glass with one missing, the expanded metal to protect the glass and peeled back where the pane is missing, as if to prove the point: see, you need the protection, otherwise your panes of glass will go missing.

But what I took home is something different. If you look near the top of the image, a little to the left of the centre line, you’ll see that someone has stuck a tiny pink heart there. It’s kind of funny, really. There I am, with my serious pretensions at producing a gritty commentary on post-industrial life. And somebody comes along and sneaks a tiny pink heart into the scene. Message received.

Window at the E & N Roundhouse, West Victoria, B.C. (detail)
Categories
Street Photography

Extinction Rebellion

A protester carrying a flag blocks Bloor Street East between Sherbourne & Huntley, Toronto

Went to the gym and when I went back upstairs to shower, somebody was setting up in the road below, testing a megaphone. I could see the Extinction Rebellion flags. After my shower, I found my daughter had arrived and she wondered why police were blocking off the street at Sherbourne to the east and Huntley to the west. The last time they did this, they detonated a suspected bomb in front of our building.

The guy with the megaphone had moved into the middle of the street along with maybe ten other people. They weren’t making much noise but they were disrupting traffic along Bloor Street. I ate my lunch then got ready to go out. My plan was to walk up Yellow Creek to St. Clair and pop in to Book City to buy a Christmas gift for my mom.

I packed my camera bag with a view to taking macro shots in Yellow Creek, but when I got downstairs, realized the Extinction Rebellion people presented a different kind of opportunity. I paused to pull out my camera while a passing woman yelled at them in her prim English accent: “Get a life! You don’t even understand what you’re protesting. Do some research.” A girl holding a flag bore the yelling with equanimity and smiled at a second girl, another of the protesters. Meanwhile, three men engaged with a passerby who seemed sympathetic to the cause. They stood by a ladder that straddled the centre line and supported flags and signs. I approached the girl and asked if she’d mind me shooting some photos. She said that was fine but pulled up her mask with its discreet message: “Fuck the RCMP.” I observed that the pandemic was convenient that way, giving the protesters an extra reason to conceal their identities. I shot quickly, then headed for Yellow Creek.

Categories
Street Photography

Twitter to remove images posted without subject’s consent

Woman pushes bundle buggy along the sidewalk on Toronto's Bloor Street West.

In an article posted December 01, 2021, the BBC reports that Twitter has rejigged its terms of use: it now reserves to itself the authority to remove images posted without consent of the people who appear in those images. Well, damn! There goes just about every image I’ve ever posted.

Recognizing that the headline announcing this change sounds a bit extreme, Twitter clarified that it is trying to address images that “harass, intimidate and reveal the identities of private individuals, which disproportionately impacts women, activists, dissidents, and members of minority communities”. This sounds all very laudable but forgive me if I treat these sentiments with skepticism. As a company with a market capitalization of 35 B, Twitter is in the business of making money, not of standing as a beacon of ethical conduct.

I have some thoughts:

1. The company that gave Donald Trump a platform to vault himself to the American presidency where he trumpeted thousands of lies claims that its TOS tweaks are meant to improve the quality of public discourse. Twitter has said that it will not remove an ostensibly offending image “if a particular image and the accompanying tweet text adds value to the public discourse, is being shared in the public interest, or is relevant to the community”. That is laughable, not because of Donald Trump and not because of the pornography that sprouts like mushrooms on Twitter, but because by definition nothing that happens on Twitter is public discourse.

Like all social media, Twitter is the virtual equivalent of POPS (privately owned public space). Since the rise of Thatcherism and Reaganomics—or neoliberalism, if you prefer—successive governments in all Western democracies have sold off public spaces to private interests. Often, now, what we take to be a public square, is in fact owned by a private entity which has no obligation to honour constitutionally entrenched rights like freedom of expression and freedom of the press. This was a hard lesson the Occupy movement learned when private security forces turfed protesters from public parks that turned out to be not so public after all.

One possible solution is government regulation. There is no reason a government can’t stipulate what kinds of speech/images Twitter can and can’t curtail. However, given the West’s laissez faire approach to multi-billion dollar corporations, I have low expectations here.

2. I am a street photographer and street photography habitually makes photographs without consent. Most street photographers practice their craft with benign intent. They observe/document/engage/critique the way people interact with built environments. At their best, they pose questions about what it means for us to function as social beings. At their best, they bolster our social memory. They help us understand who we are and who we might become. It would be a mistake to surrender the determination of our social memory to functionaries who work in the overweening shadow of the profit motive. We would lose our memory by increments, like a person in the early stages of dementia, hardly noticing the changes. But a decade or two later it would strike us: the utter vacuity of what remains.

3. A Twitter spokesperson states: “We’ve been complying with Right to Privacy laws in various countries since 2014, and this is really an expansion of those protections to everyone on Twitter”. Like most conversations about rights these days, people omit to mention that rights are not absolute, but are limited by competing rights and responsibilities. Determining the limits to a right falls to governments, not corporations. In Canada, where I live, and in most Western democracies, photographers have the right to shoot without consent where the subject has no reasonable expectation of privacy. This is not an absolute right, but in most circumstances it serves as a good guideline. As long as it remains the law of the land, it is the guideline I will follow, and if Twitter doesn’t like that, then maybe it should take the matter up with my country’s government. What it shouldn’t do is conduct itself as if this is a private contractual matter between Twitter and me.

4. One possible solution is to do what I do here. I own this space, so I’m not subject to the whims of other private interpretations of what does and does not stand in the public interest. Unfortunately, no one can find me here in this backwater of the internet because searchability has be relegated to an even bigger private concern—Google—which, with its market capitalization of 2.48 T, is 70 times the size of Twitter and large enough that it is effectively immune from government regulation.

Freedom of expression doesn’t stand a chance, does it?

Man walks past Christmas windows at The Hudson's Bay, Queen Street West, Toronto
Categories
Street Photography

Signs of the Extinction Rebellion

Woman walks past a sign advertising retail space for a flagship store.

By the intersection of Buchanan & Sauchiehall, a large poster advertises a retail opportunity for a flagship store. Two women walk past, apparently unconcerned, one wearing headphones, the other staring at her smart phone. As a photographer, my primary interest lies in the fact that the pavement is wet and offers a nice reflection of the colours in the poster. It isn’t until later, much later, two and half years later to be precise, that I notice the Extinction Rebellion logo spray painted onto the poster.

Personally, I don’t like aggressive activism. I avoid confrontation and prefer reasoned debate. That may have more to do with my personality that with my view of the Extinction Rebellion’s tactics. However, I do feel a change within myself and wonder how long before I see aggressive activism as the only path forward. When debate turns to the livability of the planet and the future of my children well, then, it ceases to be a debate, doesn’t it?

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Street Photography

Shop Window on Glasgow’s Buchanan Street

Man adjusts a mannequin in a shop window on Buchanan Street, Glasgow

A man stands in a window display and adjusts the clothing on a mannequin. Reflected in the window, we see Buchanan Street, a pedestrian thoroughfare and one of the main shopping districts of Glasgow. Apart from a couple shops that sell tartan scarves and Scottish kitsch to the tourists, most of the shops here are what you find anywhere: Apple, Starbucks, Nespresso, Prada, Hermès, Omega, The North Face, Urban Outfitters, Victoria’s Secret, GapKids. Living as we do in a global marketplace, the idea of shopping on holidays seems silly. The supply chains that bring us these products have probably circled the globe several times already, then we purchase them and fly them another 5,000 km to bring them home with us. They hang in our closets. We wear them twice. Then, when we decide they make us look fat, we run them out to Value Village.

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Street Photography

Glasgow’s Merchant City

Woman with cup of coffee & cigarette walks through the Royal Exchange Square, Glasgow

A woman holding a cup of coffee and a cigarette walks through Glasgow’s Royal Exchange Square. A reversed sign in the archway tells me I’m in Merchant City. Thanks to a light drizzle, the pavement is wet and reflective. Although it’s mid-July, everyone wears a jacket because there’s a chill in the air. Welcome to Scotland!

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Street Photography

Entrance to the Argyll Arcade

Argyll Arcade, Buchanan Street, Glasgow, Scotland

I don’t know what you call this person in his morning coat and top hat. A valet? A beadle? Whatever you call him, the way he stands with his legs crossed, he looks like he has 15 minutes left before his washroom break and is doing his best to hold it in. He is facing south to Argyle Street. To his back is the Argyll Arcade. I’m not sure why the distinction between Argyle and Argyll. Apparently, in linguistic terms, there is no difference. Maybe the people responsible for the Arcade’s signage ran out of the letter E.

Laying out a jewelry display in the Argyll Arcade, Glasgow
Laying out a jewelry display in the Argyll Arcade, Glasgow
Categories
Street Photography

Street Scene in Glasgow

Pedestrians at the intersection of Mitchell and Gordon Streets in Glasgow

I’m standing at the intersection of Mitchell and Gordon Streets when a girl walks through the frame while a man smoking a cigarette approaches and gives me the evil eye. Or at least a vaguely suspicious glance.

One of the things I love about Glasgow is that, in the downtown area, there is a good selection of pedestrian-only streets. Sauchiehall, Buchanan, a portion of Argyle, the Royal Exchange Square. It makes these areas vibrant and safer. I wish my hometown would take a cue from this.

Another thing I love about Glasgow is that Glaswegians never leave you in doubt about what they think of you. They are honest. Some might say brutally honest. If Greta Thunberg decides to attend Cop26, she might find herself in a city full of kindred spirits. It’s a no-bullshit kind of town.

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Street Photography

A Stormtrooper Wears a Tartan

A stormtrooper wears a tartan.

The conventional story holds that the plaid twills (tartans) we see in Scottish kilts are a relatively recent development from the 17th century. However, archeological finds in China of all places suggest that Celts have been weaving tartans for at least 3,000 years. But the fashion may go back even further than that. George Lucas presents convincing evidence that tartans have been around since the early days of the Galactic Empire.

Have you ever noticed that there is no sex in Star Wars? It’s implied by family lineages and we get a whiff of it in Luke’s kiss with Leia. The only overt act in the whole series is more reminiscent of West Virginia sex between siblings. I suppose Leia as Jabba the Hutt’s sex slave implies a certain quality of sex at play in the background. We see a similar arrangement in Solo with Qi’ra, which suggests Han Solo has a “type”; he needs to rescue troubled women from enslavement by domineering men (though I’m not sure Jabba the Hutt qualifies as a man). Even so, we never have any good healthy romps in the bedroom. It all gets sublimated into shooting blasters and waving light sabres. I guess that explains why Disney was comfortable buying the franchise.

Categories
Street Photography

Nice N Sleazy on Sauchiehall Street

A man watches 3 women walk past Nice N Sleazy, a bar on Sauchiehall Street in Glasgow

Nice N Sleazy is a bar on Sauchiehall Street. It’s like Brigadoon. Caught in its own special time when ideas like feminism didn’t exist.

I wonder what’s going through this guy’s head as he watches the three women pass the bar’s entrance. This is emblematic of who gets to watch whom.

It’s worth noting, however, that the women are watching something too. They’re not returning the man’s gaze. Instead, they’re watching something that lies beyond the frame.

In a way, the women are more interesting because they look to something that is unknowable. Unknowable, at least, to those of us who join the man in gazing at the women.

Categories
Street Photography

Child Running in the Rain

Child runs in the rain at the Royal Exchange Square, Glasgow, Scotland

I’m standing in the Royal Exchange Square at the back end of GOMA, the Gallery of Modern Art, experimenting with the wet pavement and the broad curving line of the steps when a child runs up the steps and races towards me. Sometimes the photography gods are kind to me. What is particularly kind in this instance is that the girl’s parents look on, smiling, apparently unconcerned that a middle-aged man is standing there with a camera.

I offer this photograph as a reminder of whose interests we serve at Cop26. Let us never forget: our children have no voice here. We will be long gone by the time the consequences of our decisions play themselves out in full. It will be our children who suffer or benefit from those consequences.

Categories
Street Photography

Beer Kegs on the Sidewalk

Man walks past beer kegs at Sauchiehall & Scott Street, Glasgow

Beer kegs on the sidewalk is pretty much the norm for Glasgow. Perhaps the most famous of the local breweries is Tennent’s located at the foot of the Glasgow Necropolis. I’ve often wondered where they source their water. Do they take it locally, filtered through the hills of the Necropolis? Does that give their beverages a special flavour?

Peering through the gates of the Wellpark Brewery
Categories
Street Photography

Policing at Cop26

Police monitor protests at a Scottish Independence (AUOB) march.

A Guardian article indicates that activists are concerned about the way police will be deployed during Cop26. My personal experience during Toronto’s G20 summit in 2010 suggests their concerns may be justified. The policing effort, which will see 10,000 personnel drawn from all over the UK descend upon Glasgow, is called Operation Urrem. Urrem is the Scots word for respect.

As I understand it, the concern has to do with differing attitudes towards policing. The Scottish approach tends to be more hands off and conciliatory whereas English policing tends to be more heavy-handed.

Shown above is a photo I shot in George Square where police placed themselves between Scottish Independence marchers and those waving Union Jacks who came to protest the protesters. As you might gather from the photo, the police didn’t really do anything except create a space for both sides to have their say.

I hope the same approach holds for Cop26.

Categories
Street Photography

Child on Buchanan Street

Child climbs a step on Buchanan Street, Glasgow, Scotland

I was standing beside the entrance to the Buchanan Street underground, shooting south down to the Clyde River, mesmerized by the reflective surface of the polished rock, when a young girl (and her reflection) stepped into my frame. How could I not make the shot? I’m not sure what she was thinking but I suspect it was simple curiosity: what is that man doing with that funny-looking box in his hands? There is something satisfying about this shot—the reflection, the way the perspective lines all lead us to the girl, the red bow in her hair, the simple expression of innocence—so that I’ve ended up including it in my portfolio.

A child on a Glasgow street, she reminds us why we’ve tasked our world leaders to gather nearby and hammer out an agreement to limit climate change. She is emblematic of our future. We do this for her.