Categories
Still Life

Snow-Covered Tulips

This is the final image in my February series of winter scenes: tulips covered in snow. I shot this last spring. In our area, there had been an unseasonably warm snap early in March and it brought the spring flowers on early. When that happens, there’s always the risk of a late frost or snow. Fortunately, tulips are waxy and thick and that makes them resistant to the cold.

To my eyes, this photo straddle states, half in winter, half in spring. It looks backward and forward. It is renewed life after the dead of winter. And, perhaps most importantly, it is a dozen different clichés all rolled into one image for your convenience.

Speaking of clichés. Tomorrow I begin a fresh month-long series of photos devoted to that quintessential of Canadian clichés: maple syrup. Join me in the sugar bush at Williams Farm in Tay Township, Ontario where we will tap trees, boil sap, bottle syrup, and say “eh” a lot.

Categories
Bugs

Bee on Teasel

Bee on teasel, shot on Lower Don Trail north of the Bloor Viaduct.

Living in the heart of the city, it’s only natural that a lot of my photos are unnatural: traffic, buildings, people rushing through urban spaces. Even a lot of my nature photos happen in the heart of the city. For example, I shot this bee on a teasel flower in the Lower Don Trail just north of the Bloor Viaduct. It required a macro lens, a tripod, and patience.

Categories
Still Life

Pinhole Still Life

Still life of orange tulips in a turquoise vase

In the early days of Covid-19, after the WHO classified it as a global pandemic and local governments declared a state of emergency, I found myself looking for creative ways to use my camera. Certain of my habits–like street photography–were suddenly verboten and I had to do things that didn’t involve close interaction with other people. One thing I tried was setting up modest still life arrangements and photographing them with a pinhole attachment. Some people call it a pinhole lens but, technically, there is no lens, just a tiny aperture. Here, I taped together 3 white foam boards to create a simple background then placed my flower arrangement on a table beside a window. On an overcast day, the simple natural light was enough. The pinhole produces a soft dreamy effect, nicely matching my mood at the time when I told myself: this can’t be real.