Categories
Architecture

Star Trek: Strange New Worlds – S1.E3 Ghosts of Illyria

Strange New Worlds, the latest installment in the Star Trek franchise, explores pre-Kirk life in the Federation. In particular, we learn the back story of Captain Christopher Pike whom we first met in “The Menagerie” which aired in 1966. Anson Mount plays the current iteration of Pike, a character written according to a longstanding template that makes him indistinguishable from James T Kirk. When he’s not in the chair on the bridge, he’s riding a horse in Montana while sporting a rugged beard. Starfleet rules are really suggestions, but he only breaches them when higher values are at stake. And he carries himself with a good-humoured sex appeal that, sooner or later, will have some large-breasted alien swooning.

Why, you may ask, does a guy with a photo blog post a piece about Star Trek? Glad you asked. It turns out they’re filming Strange New Worlds in that strangest of strange new worlds, the city of Toronto. This became cringingly obvious in the first shots of episode 3, “Ghosts of Illyria.” The opening shots establish that the Enterprise is in orbit around an alien world, home to species called the Illyrians. The next shot takes us to the planet’s surface where an away team has landed only to find that the planet’s inhabitants are missing. We swoop across the surface of a large body of water and the camera rises to the horizon. A strange alien structure comes into view.

It’s Ontario Place. But in the future. And on another planet.

For more than 10 years now, Ontario Place has been a sad shell of its former self, serving no particular purpose other than to slowly rust away into the lapping waters of Lake Ontario. Doug Ford’s decision to make it a terminus for his new subway line strikes me as utterly pointless. Once built, the Ford line will be the subway ride to useless. But don’t worry. He’ll license a casino there to one of his mob cronies and all will be well.

The irony is that when it first opened in 1971, it reflected an optimistic vision of the future, or at least the future as its architect, Eb Zeidler, imagined it. At the same time as Zeidler was preparing his plans, Stanley Kubrick was giving us far out furniture on his 2001 space station and selling space travel as a glorified acid trip. The only thing missing from the original Ontario Place designs was a humongous lava lamp. It’s the kind of place you could go for a giant city-wide key party. The future was so much better back then.

In the Star Trek version of the future, Ontario Place is ground zero for a plague transmitted by photons. Once infected, victims crave light which of course produces photons and increases the likelihood of transmission. This futuristic plague’s version of masking is to turn out the lights. The only thing missing from this episode are the anti-darkness truckers who demand in the name of freedom the right to turn on the lights and infect their Enterprise crewmates. But I guess that would make it more like Toronto today than the Federation in stardate 2548.3.

Black and white photograph of Ontario Place buildings rising from the ice covered waters of a thawing Lake Ontario.
Ontario Place
Categories
City Life

Doors Open or Closed?

Gritty door with a sign on it that says: Stan's Pizza
Side door to pizzeria, Cumberland St N and Tupper St, Thunder Bay, Ontario

In my marriage, there are certain areas of domestic life that are subject to battles of the will.

For example, there is the question of cleaning the toilet. My wife insists that because I cause the greater mess, it’s my responsibility to clean it. I have suggested that we should take a more global approach to domestic cleaning. By way of illustration, I point out that I routinely wash the floor even though my wife does half the walking on it.

As an experiment, I’ve tried to measure my wife’s stubbornness as expressed in days without cleaning the toilet. Ordinarily, she is fastidious about these things (she absolutely refuses to use portable toilets and outhouses), but it turns out she’s not as fastidious as she is stubborn. We could go for decades without cleaning our toilet because she insists absolutely that it’s my job. It’s a matter of principle.

We have a similar battle of wills when it comes to our bedroom door. When I’m in the bedroom, the door must be shut. My wife doesn’t care.

My insistence on a shut door has nothing to do with fear or anxiety. I don’t worry that urban ninjas are going to break into our house and storm the keep. It’s more a symbolic matter. I need a sense of enclosure. Completeness. An open door is ambiguous. It allows for a leakage into the wider world.

Intellectually, I enjoy ambiguity. I love to read stories that leave me hanging in indeterminate positions. I love arguments that see-saw on a fulcrum. But as an emotional matter, I can’t abide an open door.

My wife is the opposite. If she watches a movie, she likes it when all the story lines come to clean resolutions. Art house films drive her bonkers. But as an emotional matter, she’s comfortable with open doors and the leakages they imply.

I’ve noticed lately that if I let the toilet go for a few weeks, I wake up in the morning and find that the bedroom door has been left wide open all night. And so the battle rages.

Categories
City Life

Old Bones

There’s nothing quite like bones from the Late Cretaceous period to remind you that you’re going to be dead for a lot longer that you’re going to be alive. Compared to the millions of years you have ahead of you as a corpse, the handful of years you have as a living breathing creature pass in the blink of an eye. My wife and I didn’t set out with that in mind when we booked our tickets to a special dinosaur exhibit at the Royal Ontario Museum, but it didn’t escape our thoughts as we observed how shadows of the ancient bones played across the floor and danced with our own footsteps.

I am a rational soul and tend not to tie myself up in anxious knots over the prospect of my own death. Age may have something to do with my willingness to entertain thoughts of death. Experience, too. A brush with death does tend to clarify one’s thinking. Then there are my vaguely Buddhist habits: for a time, I was a regular in a community that engaged in traditional Tibetan meditative practice (until surprise, surprise the leader died). Holding one’s own death in mind turns out to be a paradoxically liberating thing to do.

The deliberate contemplation of death is not unique to Tibetan Buddhist practice. I’m reminded of the Capuchin Crypt beneath the Santa Maria della Concezione dei Cappuccini where tiny chapels have been formed from the bones of 3,700 monks. The purpose of the chapels is to remind worshipers that their time on earth is fleeting. A plaque declares: “What you are now we used to be; what we are now you will be…” As an aside, I can’t help but hear these words in the voice of Yoda.

Playing on the walls of the museum exhibit were animated videos featuring 3D dinosaurs. It seems that digital animation is paleontology’s answer to breathing life into Ezekial’s dry bones. The dinosaurs may be long dead but, like gods, we can bring them back to life. We watched to the end of a video then read the credits scrolling down the wall. Noting the name of the production company, we wondered why it sounded familiar, then realized that our son had just that week gotten a job working for the production company. It creates a lot of children’s programming, including a show about dinosaurs. It hired our son to do a job that didn’t exist even 10 years ago.

Children hold an ambivalent place in conversations about mortality. On the one hand, they are a source of hope insofar as they offer us an extension, both imaginatively and genetically, into the future. On the other hand, their youth reminds us of the very thing that is slipping away from us. Sometimes, they go out of their way to remind us that we are becoming superfluous. Never is our obsolescence so apparent as when they roll their eyes while explaining to us for the umpteenth time how the smart TV works. Now I understand how my parents felt and I hope they forgive me the impatience I showed while trying to set up their VCR.

Categories
Architecture

Buildings that were but are no more

When I began sifting through my photo archive for images related to this month’s theme (what was but is no more), I was astonished at the number of buildings I have photographed that have later met with accelerant and a lit match. See my previous post on Notre Dame de Paris. I swear I had nothing to do with it. Today’s featured photo is a night shot of a building on Algoma Street South in Thunder Bay, ON. I shot this in May, 2016 and a few months later it was gone.

There have been a rash of fires in the vicinity. Two years ago, a building on Bay Street went up in flames. Before that, it was the Hells Angels clubhouse. And in December, the town lost the historic Finnish Labour Temple and, with it, the Hoito restaurant, located just around the corner from my lonely building featured here. There isn’t any evidence to suggest that these fires are connected. But when there are so many fires in close proximity, one does wonder.

As far as I’m aware, none of these fires resulted in injury or loss of life. Even so, each of them has been an occasion for grief, especially in the case of the Finnish Labour Temple, which had been a community hub for more than a century. There is something shocking about fire, something irrevocable. We do our best to clean up the site, but traces remain for years. We smell it in the soot. We see it in charred bits of wood.

Whenever I drive up to Thunder Bay, I see evidence of fire all along my route. In the town of Heyden, just north of the Sault, there’s Pruce’s Motor Inn lying in ruins, ironic given that the local fire station is just next door. And 20 km west of Nipigon was a gas station, abandoned for years, then torched to the ground. Further along, in Dorian, another motel was abandoned then torched, or torched then abandoned. Sometimes it’s hard to tell which came first.

For a lot of sites in Northern Ontario, it’s typical simply to walk way. Let nature deal with the charred remnants. Snow melt and rain turn it into a black slurry. Seedlings hatch there. Moss and lichen creep over the exposed surfaces. In time—natural time, not human time—the burnt out buildings vanish beneath a layer of living matter, joining a larger cycle of decay and rebirth.

The Finnish Labour Temple and Hoito Restaurant in Thunder Bay, Ontario
The Hoito, Thunder Bay, Ontario (2015)
Categories
Abstract

Blue Maple Sap Tubing

So ends the month of March which began with a series of posts on maple syrup production and wound down with photographs from Williams Farm, the property featured in my maple syrup posts. My final image shows large coils of sap tubing waiting to be strung out in the sugar bush. Although the tubing is clearly identifiable as such, I like the way it assumes an abstract quality, especially the blurred stacks of tubing in the background.

When I make abstract looking images in camera (i.e. images that haven’t been manipulated using post-processing software like Lightroom or Photoshop or Nik Effects), one of the challenges lies in giving the images meaningful labels. Every photograph is a photograph of something; the easiest approach is to label a photograph by naming the thing that it is a photograph of. So, for example, this is a photograph of blue maple sap tubing. Only it isn’t. Not really.

When I stumbled upon these coils of tubing stacked in the barn, I didn’t say to myself: “I’d like to document coils of blue maple sap tubing.” I was emphatically not moved to make this image because I wanted to produce a photographic record of one inch plastic tubing. Instead, I was struck by the colour; I was struck by the way the morning light passed through cracks in the barn boards and settled on the tubing; I was struck by the curved lines moving from top to bottom; I was struck by the way the horizontal lines receded into darkness. All of this coalesced in a way that made me feel something.

If I had wanted to say what I felt, I might have written a poem. But there was something about this arrangement that was irreducible to words, and so I made an image instead. That makes a label problematic. Since the image is irreducible to words, a label is necessarily inadequate. It may even be a distraction. The best I can do is offer a few provisional words with the understanding that they have nothing to do with the image except to distinguish it from other images. It is what it is.

Categories
Landscape Photography

Introverted Landscape

Sometimes a landscape presents to me as extraverted. At other times a landscape will approach me with a cautious reserve.

My encounters with landscape remind me a lot of my encounters with people. I think of all those times I’ve sat in a meeting and there’s that one person who goes on and on, and in the midst of it their bluster seems persuasive, but afterwards, when I’m reviewing the minutes, I realize that, despite the torrent of words, the person has said nothing of substance. Meanwhile, there is that one person who sits quietly in the corner, unable to get a word in edgewise, who later sends an email or phones me, and I discover that their head is brimming with helpful ideas and creative solutions.

Landscapes can be like that. Some landscapes smack me full in the face with an immediate impact and I say: Wow! A lot of sunset shots affect me in that way. Then I look more closely and realize there isn’t a whole lot going on in the image; it’s the photographic equivalent of a vapid blond Fox news anchor. Or, to borrow a phrase from MacBeth, it is “full of sound and fury, signifying nothing.” Meanwhile, lurking in the corner of my lightbox is an understated image that doesn’t seize my immediate attention but nevertheless lingers in my memory.

Try an experiment sometime. Take an 8 1/2 x 11 sheet of white paper and mark it with a single black dot, then show it to friends and ask them what they see on the page. Almost invariably, they will point to the dot while ignoring the overwhelming whiteness of the page. When we look passively, we are keyed to see certain things, like bright colours and stark contrasts. Only when we look actively do we begin to notice subtlety and nuance.

Categories
Country Life

Fab Four – Deer Hanging Out in a Field

I call these four John, Paul, George and Ringo. To be honest, I can’t tell anything about the gender of these deer. What’s more, they didn’t stick around long enough for me to ask their pronouns. For all I know, they could be Benny, Frida, Agnetha and Björn.

Whenever I see deer hanging out in a field, I play a game called: how close can I get before they notice me? The answer is: not very. In the case of these four, I knew they were on the far side of a rise, so I crept up a gentle slope to a position I thought would serve as a blind. The problem came when I tried to set my camera on the tripod. It snaps into place with a quiet click. Not quiet enough. John, Paul, and George heard me right away. Ringo let on he didn’t hear but, hey, that’s part of his charm.

On another occasion, I got caught in a sudden downpour so took shelter under the eaves of the drive shed. I peered around the corner and there stood a solitary deer. The sound of rain bouncing off the metal roof may have hidden my approach. I was already close to the deer as I raised my camera and steadied the long lens against the corner of the building. I got a few shots as it stared at me, then it turned and ambled off.

A deer caught unawares in rural Ontario
Categories
Country Life

Tapping Out

As with the maple trees each year, I find myself tapped out. I had thought I could sustain a series on maple syrup for the entire month of March. And while I have a lot of good syrup-related photographs I could share, I’ve run out of words to accompany them.

So, to borrow a word that’s become overused during the pandemic, I’m going to pivot. For the balance of the month, I will feature photographs of Williams Farm, the property that appears in all my earlier maple syrup photos. But these photos will treat non-syrup concerns. After all, the sap runs for only a few weeks each year. Things don’t suddenly stop the instant the last sap is boiled.

The first of my pivot images is a variation on an old theme. Visual artists love to play with the way trees cast shadows across the snow. I’ve seen paintings, woodcut prints, and of course photographs that explore the almost abstract variation of light and dark that bare trees produce in the winter time. However, I’ve always felt there is something missing from these images. There are no sap lines running from tree to tree. The sap lines produce a gossamer web through the forest that catches the early morning light.

Categories
Country Life

Acknowledging the Land Where Maple Syrup Comes From

Overwhelmingly, maple syrup production occurs on Turtle Island, the name First Nation peoples, especially in the North East, give to the North American continent. Historically, settlers/colonists haven’t bothered to think too deeply about the origins of maple syrup, treating it as just another food commodity that happens to come from trees. However, as conversation around suppression of Indigenous life and culture becomes more widespread—as it has this past year with the location of unmarked graves on residential school properties—some people writing about maple syrup production are being more intentional about acknowledging its origins. For an excellent example of this, see Bhavani Munshi’s “Decolonizing Maple Syrup” on the Life And Thyme web site.

The spring tradition of boiling maple sap comes from the Anishinaabe, Haudenosaunee and Wabanaki peoples and may well stretch back 9,000 years. They shared their knowledge with early white settlers who likewise enjoyed the health benefits of this natural sweetener and, like their indigenous teachers, used it to flavour and preserve meats. What I find particularly interesting about the maple syrup story is that, because traditional cultures were matrilineal, responsibility for sugarbushes passed from mother to daughter, as did knowledge relating to maple syrup production. And so we have the ancient story that maple syrup was discovered when a woman mistook sap for water and, after boiling meat for a meal, enjoyed a sweet surprise.

Decolonizing projects find themselves at odds with late capitalism to the extent that late capitalism tends to turn everything it touches into a commodity. As a creature of settler colonialism, late capitalism’s superpower is the power to forget things. In this case, it forgets where this natural commodity comes from and it forgets who safeguarded the knowledge that first brought it into our lives. This is especially true of large-scale operations that distribute their product through huge retailers. Any sense of connection to the land vanishes in a mist of money.

Small producers, like Williams Farm, have a more intimate connection to the land and can be more mindful of the process from tree sap to bottled syrup. The farm stands on land that, for thousands of years, was the sacred gathering place of the Huron-Wendat, the Ojibway, and Métis and is governed by the Williams Treaty (no relation) and the tri-Chippewa Council of Beausoleil, Rama and Georgina Island First Nations.

One cause for celebration is that there is a growing number of First Nation maple syrup producers who are working to recover this traditional knowledge. See for example, Giizhigat Maple Products on St. Joseph Island just south of the Sault. Or Jacob Charles on Georgina Island.

Categories
Country Life

Maple Syrup Taffy

I think it’s reasonable to suppose that maple taffy has been a staple of every maple syrup festival ever held since the dawn of time. You start by going outside with a shovel and you scoop up a big pile of snow. Look both ways first just to be sure local public health officials aren’t watching. Either that or use a really clean shovel. If you do get caught, you can always bribe the officials with a bottle of maple syrup. That’s how Doug Ford got Dr. Kieran Moore to say we don’t need masks indoors anymore.

After you’ve scooped up a gross of snow and laid it out on a flat surface like the hood of a car (Martha Stewart recommends a baking sheet), ladle lines of boiling maple syrup across the snow. As the cold snow causes the syrup to congeal, press a popsicle stick into one end of the syrup and roll the syrup into a ball around the end of the popsicle stick. Suck on the ball of cold maple syrup until the sugar makes you giddy.

Since we live in times that are simmering with conspiracy theories, let me throw one more into the pot. I think dentists have joined forces with maple syrup producers. If people bite down on maple taffy before it’s turned soft, it can cement top and bottom teeth together. As people open their mouths, it can yank out a tooth. That’s not so bad when you’re six and ready to lose a few teeth anyways. But it’s a matter of concern when you’re seventy-six and have no teeth to spare. If you’re worried for your teeth, best just to suck on the taffy and wait patiently for it to melt in your mouth. Keep the dentists poor.

I have a proposal: one day I’d like to set the world record for biggest ball of maple taffy. It would involve boiling an entire 140L drum of syrup, then rigging something on the back of a tractor so you could drizzle it as you drive back and forth in a snow-covered field. Meanwhile, someone would follow behind on a low flatbed trailer twirling a big pole through the congealing syrup. I wonder if there’s some way to automate this. Imagine the mouth you’d need to wrap your lips around that! We’d have to invite Mick Jagger as a guest of honour.

Eating maple taffy brings a smile to the face.
Categories
Country Life

Maple Syrup Taste Test

Some people claim that maple syrup is a perfectly fungible product. In fact, the PPAQ’s Strategic Global Maple Syrup Reserve is premised on the assumption that maple syrup produced in one region is no different than maple syrup produced in another region. While this serves the needs of large scale producers and large retailers including major grocery chains, small producers take issue with the claim.

A small producer might own and manage their own sugar bush, and heat the evaporator with wood culled from that sugar bush, infusing the syrup with a wood smoke distinctive to that locale. Similarly, small scale Indigenous producers maintain that their intimate relationship with the land is reflected in the flavour of their syrup. These are artisanal efforts that require special craft and local knowledge.

Small producers draw a comparison to wine-making and the distinction between a large commercial wine like Australia’s Yellow Tail wines which, in 2015 exported 8 million cases of wine to the U.S. and a local wine from Ontario’s Beamsville Bench with an annual production of 300 cases. The local wine-maker would point to the terroir and the unique craft of the wine-maker to deliver a distinctive experience that you just can’t get from a large commercial producer.

To test the competing claims about maple syrup flavour, I purchased two large commercial brands and set them against a liter of syrup produced at Williams Farm. If you have been reading my March posts, you’ll know that John Williams is my brother-in-law. I get nothing from promoting his products (except for mild sugar highs and temporary hyperactivity). To eliminate bias, I conducted my tastings in whisky tasting glasses wrapped in duct tape.

First a note about each of the bottles of maple syrup. All three claim to be amber. The two commercial brands include the words “100% Pure Maple Syrup” and “Canada Grade A / Amber, Rich Taste.” This is the precise wording reflected on the PPAQ’s web site. Since Williams Farm isn’t a Québec producer, it doesn’t use this wording; John just hands you a bottle and says: “Here’s some amber, eh.”

One of the commercial brands is Frank. Frank is a Canadian Tire brand. It comes in a plastic bottle and says: “Frank knows all aboot maple.” (Who talks that way?) While you’re getting an oil change downstairs, you can go upstairs and buy a 600 mL bottle of maple syrup for $10. Canadian Tire is a major Canadian retailer listed on the Toronto Stock Exchange with a market capitalization of $11 bn.

The other commercial brand I tasted is the Longo’s in-house brand. You can buy a 500 mL glass bottle for $7.99. The Empire Company recently purchased a 51% stake in the Longo’s grocery chain for a cool $357 million. Like Canadian Tire, the Empire Company is a major Canadian retailer listed on the Toronto Stock Exchange with a market capitalization of $7 bn.

The third bottle, of course, comes from Williams Farm. He sells in both glass bottles and plastic and charges $26 for a liter.

One obvious difference between the 3 bottles is that you have no idea where the commercially branded syrup comes from. In all likelihood, it comes from large scale operations in Québec. But in the case of the Williams Farm syrup, you can visit their web site where John encourages you to drop by for a visit. If it’s not the middle of maple syrup season, you may be able to twist his arm for a tour of the sugar bush.

Another obvious difference between the 3 bottles is that when you pour the syrup into tasting glasses, they have wildly different colour profiles. Longo’s is light. Frank is dark. And Williams sits in the middle. In fact, I’m inclined to say that both commercial brands have been mislabeled. If not, then Longo’s is skirting mighty close to the border between Golden and Amber. Meanwhile, Frank is skirting mighty close to the border between Amber and Dark.

Because the colour profiles are so different, I found I couldn’t give them a fair tasting without first wrapping the glasses in duct tape, labeling the underside of each, and then asking my handy tasting assistant to shuffle the glasses while my back was turned. In fact, that didn’t really make any difference because each syrup also has a distinctive viscosity profile that corresponds to the colour profile and is obvious on the tongue. A wine taster might call it mouthfeel. The Golden felt more fluid while the Dark felt thicker and the Amber sat between the two.

In terms of taste, the Longo’s was good as what the PPAQ describes as Golden / Delicate Taste. Similarly, the Williams Farm was good as Amber / Rich Taste, a little thicker and more full bodied than the Longo’s. Then came Frank, darker and viscous. As with the other two syrups, it was sweet on the front. However, I detected an unexpected hint of bitterness on the finish. My personal view is that, taken together with the fact that it seems to be mislabeled, the Frank is a hard no.

While my personal tasting can’t stand as proof of anything, it does suggest an answer to my opening question. Maple syrup is NOT a fungible product. Three different bottles all claiming to be the same grade can, in fact, contain wildly different expressions of the product.

Categories
Country Life

Maple Syrup’s Colours

If you were to celebrate maple syrup Pride, the colours of its rainbow would be Golden, Amber, Dark, and Very Dark. That’s according to the PPAQ web site and, since it manages more than 70% of the global maple syrup supply, that’s pretty much the end of the discussion. However, outside Québec, people tend to stick to three colours, not bothering to distinguish between Dark and Very Dark.

Along with the different colours are different flavour profiles. Turning again to the official web site, the PPAQ identifies the flavours as Delicate, Rich, Robust, and Strong. Or, since this is Québec, Délicat, Riche, Robuste, et Prononcé.

At Williams Farm, John Williams finds that a lot of veteran maple syrup customers prefer Dark. Unfortunately for John, he doesn’t have much control over colour profile. When the sap begins to run, the early boils produce syrup with a light colour profile (Golden). As things progress, the boils produce Amber … and many years that’s as far as it goes. For reasons related mostly to weather, the trees stop producing sap and get on with the business of producing buds and leaves. But sometimes if John’s lucky, the sap runs late and the last boils produce dark syrup and everyone goes mental over it.

Personally, I find that while the colour gradations are significant, the corresponding flavour profiles are exaggerated. If I were writing a crime piece, I would call them the alleged flavour profiles because, as they say in court, the jury is still out. In fact, there is a good body of evidence to suggest that the visual appearance of a food strongly influences our perception of flavour. This stands to reason given that nearly 50% of our cerebral cortex is devoted to processing visual information whereas only 1-2% is allocated to taste.

I’m inclined to think we describe the flavour of Golden syrup as delicate because it looks delicate while we describe the flavour of Dark syrup as robust because it looks robust. But actual differences in flavour are far less significant than we suppose. the fact is: both syrups have an extraordinarily high sugar content and sweetness dominates everything.

Naturally, I reserve the right to contradict myself in future posts.

Categories
Country Life

Maple Syrup Production – On To The Evaporator

In an earlier post, we saw how sap collected in the sugar bush and delivered to the barn is then passed through the RO (reverse osmosis) machine to increase the sugar concentration. From there, it goes on to the evaporator where the boiling sap passes back and forth through a series of channels until it reaches the magic concentration of 66 ºBrix.

Large scale operations sometimes use evaporators heated with fuel oil. At Williams Farm, John heats the evaporator with a wood fire. There are a couple reasons for doing this. The first is that most of the wood is culled from the property as part of the natural process of managing the sugar bush. Using it as a natural fuel is a useful way to dispose of the logs. The second reason is more speculative. Many artisanal producers insist there is no substitute for a wood fire. Certainly, when you stand in the barn during a boil and you breathe in that campfire smell, there’s something about it … it smells like home. Does that “hearth and home” smell make its way into the product?

If you were to talk to large producers in Québec, they would probably say no, it makes no difference how you heat an evaporator. In fact, the PPAQ or Producteurs et productrices acéricoles du Québec, is premised on the idea that maple syrup is perfectly fungible. The PPAQ wouldn’t act as the clearing house for more than 70% of the global maple syrup supply unless it believed that the product from one place is no different than the product from another place.

However, artisanal producers tend to regard what they do more as a craft or, in the case of indigenous producers, as a practice invested with a spiritual dimension. On their view, there are subtle ways in which every step of the process contributes to the flavour, from care of the trees and soil in the sugar bush, to decisions around pest management, all the way to the logs that fire the evaporator. They sometimes draw an analogy to wine-making. Small wineries who craft their vintages from grapes grown in local vineyards will speak of the terroir, fermentation practices and barrel aging to distinguish their wines from large producers who treat wine-making more like chemistry.

Maple sap evaporator at Williams Farm in Wyebridge, Ontario
Maple sap evaporator at Williams Farm in Wyebridge, Ontario
Categories
Country Life

Sap Goes Pop! 7 Examples of Maple Syrup in Pop Culture

Maple syrup doesn’t have a lot of pop culture exposure, probably because most maple syrup production and distribution happens far away from Hollywood. Even so, there are exceptions. I can’t say that the following examples elevate the industry, but any exposure is better than nothing. So here we go:

1) Star Trek: Voyager, s.7 ep.16 “Workforce”

An alien civilization with a labour shortage has kidnapped members of the Voyager’s crew and, to keep them docile, erases their memories and implants new ones. When the crew rescues B’elanna Torres, Neelix uses pleasant food associations to help the half Klingon Torres recover her memory. He presents her with a plate of pancakes drenched in maple syrup and tells her that it’s her favourite breakfast. There you have it: Klingons love maple syrup.

2) Elf, starring Will Ferrell

Raised as an oversized elf, the human named Buddy travels from the North Pole to NYC in search of his biological father. During a dinner, he pulls a bottle of maple syrup out of his sleeve and douses his plate of spaghetti. He informs his hosts that elves thrive on the four major food groups: candy, candy canes, candy corns, and syrup.

3) Sweet as Maple Syrup

Sweet as Maple Syrup is a made-for-TV movie, as yet unreleased, and so I have no idea whether it’s any good. However, reading the blurb on IMDb, I suspect it’s awful:

Rachelle is in a race against time when her family’s maple orchard starts to decline, just ahead of the upcoming Maple Syrup Festival. With the help of Derek, a professor of arboriculture, they combine her hands-on experience and his scientific knowledge to heal the orchard, along the way discovering their newfound friendship may have a sweet ending of its own.

A maple syrup orchard? Really? It sounds sappy.

4) Pulp Fiction

At the end of Quentin Tarantino’s masterpiece, we come full circle with the robbery in the diner. Vincent (John Travolta) and Jules (Samuel L. Jackson) are eating breakfast after a stressful time cleaning bits of brain out of the back seat of their car. Vincent has a plate of pancakes and, after buttering each pancake, slathers the pile with syrup. When Vincent excuses himself to go to the toilet, Pumpkin (Tim Roth) and Honey Bunny (Amanda Plummer) pull out their guns and rob the diner. When Pumpkin gets to Jules, he notices that Jules has a briefcase on the seat beside him, and while Jules refuses to surrender the briefcase, he lets Pumpkin look inside. Pumpkin opens it up and although we never see what’s inside, we see how it bathes Pumpkin’s face in a golden glow. The internet is rife with theories about what’s inside that briefcase but anyone with common sense knows it’s bottles of amber maple syrup.

5) Riverdale, s.1 ep. 9 “La Grande Illusion”

“Thicker than blood, more precious than oil, Riverdale’s big business is maple syrup.” So begins the 9th episode of the Netflix series based on the Archie comic strip. We watch a man pour maple syrup from a barrel as if it were single malt in the Scottish Highlands. From there, the camera pans to an entire family engaged in a syrup tasting. We learn that the Blossom family controls the maple syrup industry in Riverdale. But the patriarch has died, creating a power vacuum. Intrigue follows…

6) Wedding Crashers

John (Owen Wilson) and Jeremy (Vince Vaughan) are a couple of players who exploit weddings for romantic opportunities (i.e. to get laid). As they arrive at one wedding, they get into an argument about their back story. Jeremy wants them to pose as businessmen from Vermont who own an emerging maple syrup conglomerate. John thinks this is a dumb idea but Jeremy insists he knows everything there is to know about maple syrup.

7) Love and Maple Syrup, by Gordon Lightfoot

You would think that a Gordon Lightfoot song about maple syrup would appear on an album called Gord’s Gold. But no. It appears on side 2 of his 1971 album, Summer Side of Life. Strictly speaking, maple syrup happens more in the late winter/early spring side of life but who’s going to quibble with Gordon Lightfoot?

Categories
Country Life

The Impact of the Climate Crisis on Maple Syrup Production

What is the potential impact of the climate crisis on maple syrup production? The answer to this question varies depending on your time horizon.

Looking at issues likely to arise in the near future, what keeps maple syrup producers awake at night are the consequences of extreme weather events:

• Wind and ice storms can wreak havoc on trees and can destroy sap lines.

• Wild temperature fluctuations can bring the maple syrup season to an abrupt halt. For a good run, maple syrup producers depend on a succession of days where the temperature climbs a little above freezing during the day and then falls a little below freezing during the night. A sudden warm snap can force the maple trees to break dormancy which means buds form and the sap stops flowing.

• Drought adversely affects the health of the trees and also increases the risk of catastrophic destruction by forest fire.

Looking to the medium term, even subtle changes in climate can make a region more hospitable to invasive species. We’ve already seen this kind of devastation with the mountain pine beetle spreading eastward from British Columbia. And the emerald ash borer has overrun the Great Lakes-St. Lawrence forest region (the region where most maple trees grow). A similar infestation affecting maple trees could obliterate the industry.

In the long term, there looms the possibility that the Great Lakes-St. Lawrence forest region will become too warm to support maple trees. The US Department of Agriculture estimates that by 2100 the “maximum sap flow region is projected to move 400km to the north.” This echoes a more general claim from Jeffrey Sachs. In his 2008 book, Common Wealth: Economics for a Crowded Planet, the noted economist offered something of a silver lining scenario: agricultural losses would be offset by gains in other regions, most notably to the north.

While it may be true that there will be maximum sap flow potential further north, it takes more than favourable temperature to grow a maple tree. If these (American) writers actually visited locations 400 km to the north, they would discover that one important ingredient is missing: suitable top soil. The challenge here is the Canadian Shield, a gigantic slab of igneous rock. During the last ice age, glaciers scoured it bare and relocated all that wonderful gravel and dirt further south. In Ontario, the Canadian Shield supports Boreal forests but cannot support mature deciduous forests. Someday, perhaps. However, soil development and forest growth are processes that happen over millennia. Nobody is going to be tapping trees 400 km to the north anytime soon.

While these “silver lining” scenarios are well intended, they are unhelpful to the extent that they feed climate crisis denialists.

People walking on a lane at Williams Farm, Wyebridge, Ontario