Categories
Street Photography

Flash Fiction: A Ghost Story with a Scary Ending

When he showed up at the office ten minutes late on a Monday morning, everyone noticed. They didn’t notice that he was ten minutes late; they noticed his general appearance. No one came right out and said: Geez, dude, you look wasted. Instead, they stabbed him with their judgmental, Puritanical stares and that was as good as coming right out and saying what he already knew. He’d seen it reflected back at him in the subway window as he rode to work: the bags under the eyes, the coarse stubble that made him look apathetically desperate, the tie that never quite settled into place. All in defiance of the office ethos and its strict professionalism. But most striking of all was the shock of white hair. On Friday afternoon, he’d left the office with a thick head of dark brown hair, and on Monday morning, he’d shown up with the scalp of a man thirty years his senior.

His office colleague (the one people assumed was his friend) approached and put an arm around his disappointing shoulders: Geez, dude, you look like you’ve seen a ghost.

That is precisely what had happened, but he was afraid to say anything. The ghost had arrived at midnight, teetering on the fulcrum between Sunday and Monday. He wasn’t sure whether he was awake when the disparate wisps coalesced at the foot of his bed or whether he’d been dreaming when it first assumed its form. He had thought the ghost was there to scare the bejeezus out of him since scaring people seems to be the point of ghosts. But things didn’t play out that way. They shot the shit for a while—this and that—and things grew comfortable enough that he excused himself to get a beer from the fridge. When he returned, he found that the ghost had cracked a cold one, too, and was lounging with its feet up on the spare night stand.

He wasn’t Roman Catholic, so he couldn’t be sure, but he’d say the ghost was in a limbo situation. At one point, the ghost mentioned the bardo, but that could’ve been the brand of beer. Limbo. Bardo. Whatever you call it, the ghost had unfinished business on this plane and he expected that, as the night progressed, the ghost would ask for help concluding whatever it had to conclude in order to release itself from its entrapment in the netherworld. But the request never came. The ghost had another drink, and then another and another. The ghost was having too much fun to ruin it with talk of unfinished business, preferring instead to ramble on about the joys of a full life, the love of a good woman (or man, as the case may be), the passionate pursuit of interests, a deep curiosity about the world at large.

As the earliest light began to unfurl itself across the city, he interrupted the ghost and asked: but aren’t you going to frighten me, you know, say boo or something?

The ghost laughed and swung its feet from the night stand: Really? You want me to say boo?

The ghost excused itself to take a piss and when it came back it said: You know, I’ve been thinking about what you asked and, to be honest, you don’t need me to say boo. You have enough to be afraid of as it is.

As the first light slipped through the cracks in the window shade, the ghost vanished. He was angry. This was the best the ghost could do? He’d stayed up all night, talking, drinking, baring his soul to an apparition. And this? This? He slapped on a rumpled shirt and didn’t bother to shave. He skipped breakfast and ran to the subway station. Riding into the office, he stared at his reflection and noted that he looked like hell. He rode the elevator to the 33rd floor, coffee in hand, and steeled himself for his office job, noting the semantic detail that he didn’t actually work in an office, but in an interior cubicle with no view of anything except a stupid screen saver of his employer’s corporate logo jittering across the monitor.

Categories
City Life

How do people move through built environments?

Street photography is a protracted series of interrogations. One of those interrogations looks to the way people move through built environments. Although we might once have constructed our buildings in service of people, it’s not apparent to me how that is true anymore. Our urban spaces have assumed an internal logic that has flipped the standard assumptions and now places people in service of buildings. But I’m not certain of this. Me and my camera pose our questions and have begun our investigations.

The global pandemic threw a monkey wrench into the investigations. I was preparing to file a definitive report on the way our urban spaces have enslaved the people who use them, like the victims of an alien invasion movie, when the arrival of the Sars-Cov-2 virus undid my working assumption. For months, hectares of office space lay empty. Shops that served the office workers went bankrupt. Without foot traffic, custodians stopped mopping the floors. In certain sectors, new technologies have obviated the need for in-person work. In the blink of an eye, people abandoned their built environments, or at least those built environments tied to work.

I had thought my images of people passing through steamy cityscapes spoke to the fleeting nature of the human presence in built environments. But the global pandemic has changed the meaning of those images. The human presence is fleeting, not because the overbearing logic of built spaces renders humans insignificant, but because the overbearing logic of digital spaces has asserted primacy over our built spaces. Humans aren’t vanishing from built spaces so much as evaporating into the ether.

Categories
City Life

Coming and Going

Man pushes a hand truck loaded with boxes through a blast of steam from a vent in the road.

Thanks to the Covid-19 pandemic, the world is fraught with supply chain issues, a concern as the holiday shopping frenzy takes hold. We hear stories of goods sitting for weeks in shipping containers. I wanted to buy flowers for friends but when I visited the local florist, I found the shelves picked bare. All that remained were a few unwanted plants with their withered leaves, a sight that filled me with sadness. My wife tells me that, at her office, they’re running low of the usual supplies, paper, staples, sticky tabs, that sort of thing. Bars can’t offer exotic drinks for the holidays because delivery of liqueurs like Compari and Schnapps is delayed by up to six weeks.

So it’s a surprise to watch a guy push a hand truck loaded with boxes. Evidently, not all supply chains are created equal. The gears of commerce still grind on. Minutes later, the same guy passes through my frame minus his boxes. He’s like Santa Claus, and somewhere up the street, a local retailer is dancing a jig.

Speaking of Santa Claus, I wonder how the man in red manages supply chain issues for his workshop. Is he going to be skimping on his deliveries this year? Or does he have a dedicated pipeline to source materials?

Man pushes an empty hand truck through a blast of steam from a vent in the road.