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Street Photography

The Front of Things

I’m surprised at the number of fledgling street photographers I follow on social media who complain about being nervous when they shoot strangers. They’re reluctant to shoot them straight on. They’re afraid something bad might happen. The person they’re trying to shoot might get angry or punch them out.

I think of the scene in The Godfather when Johnny Fontane, the Vegas crooner, is speaking to Vito Corleone. He whines to the Don that his voice is getting weak; he’s all washed up; a Hollywood director has passed him over for a good part. Don Corleone yells at him that what he can do is act like a man, then he smacks Fontane in the face and mocks him. That’s what I want to do to people who complain that it’s too hard to stand in front of people and take their photo.

Act like a man, godammit! You think you’re somehow unique because you feel nervous? Everybody feels nervous. Feeling nervous is a good thing. Only psychopaths don’t feel nervous. If you feel nervous, at the very least, it means you’re not a psychopath. More than that, feeling nervous puts you on edge. It gives you a heightened sense of your surroundings and a greater feeling of immediacy in the moment. You make better images when you feel nervous.

As for making people angry, it happens. Some people will regard you with suspicion, as if you plan to do something nefarious with their image. It’s a fact of contemporary life that a strong strand of paranoia winds through our public engagement. As a photographer, it’s part of your job to allay those feelings of paranoia. If you find yourself channeling Vladimir Putin, maybe you should find other ways to spend your time.

And as for fears that someone might beat you up, exercise common sense. Don’t shoot late at night outside the local Hells Angels clubhouse. Personally, I’ve never found myself in a situation I couldn’t talk my way out of. In my experience, some of the meanest scariest looking people have proven to be some of the most receptive to my photographic overtures. I suspect their appearance means most people avoid them and so these mean scary looking people are excruciatingly lonely. The minute I express interest in their lives and demonstrate that I’m not afraid, they open up to me and are happy to pose for my camera.

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